Post by D***@cbgb.neti remember reading an interview with Mark somewhere and he talks about
the Minimoog he or Jerry owned and used before recording are we not men
and how much it differed from the mini they used at Eno's studio. It
could be related to the fact that the moog was just funky (it had
probably not been serviced in years and was probably used very
intensley) thus creating that sound I've never heard again.
"We had that problem in Germany, and also at your [Patrick
Gleeson] studio, using new Minimoogs. Our Mini is so beat
up that it always sounded distorted anyhow; and then we were
running it into Teac boards and tape recorders, which had
higher distortion levels. So when we recorded at your place
and in Germany, we were using brand new Minimoogs and
expensive boards and recorders, and it sounded like
'Switched-On Bach.' It was too clean."
--Mark Mothersbaugh
Synapse Magazine, May/June 1978 issue
Post by D***@cbgb.netThe only flaw in my logic is that the synth on Smart Patrol sounds fucking
exactly the same live now as it did years ago.
Eno didn't produce DNFTF.
FWIW, the two Minis Mark uses now were made in 1974 and 1978.
IIRC, he uses the '74 one for the Smart Patrol patch.
~Pink
--
"The enemy is at the gate. And the enemy is the human mind
itself - or lack of it - on this planet." - General Boy